Paul Mac, Sydney Harbour, January 2012 Background information Birth name Paul Francis McDermott Born ( 1965-09-17) 17 September 1965 (age 53) Sydney, Australia Genres, Occupation(s) Musician, singer-songwriter Instruments Piano, keyboards, Years active 1986–present Labels Second Nature, Interdance, Prozaac, Shock, Eleven, EMI Associated acts, Smash Mac Mac, Boo Boo and Mace!, Boo Boo Mace & Nutcase, Website Paul Francis McDermott (born 17 September 1965), who performs as Paul Mac, is an Australian musician, singer-songwriter, producer and music re-mixer. He was classically trained at. Mac has formed various bands including Smash Mac Mac (1986–88), (1989–1998), (1991–present), Boo Boo Mace & Nutcase (1996–98), and (2003–2005). Mac has released two solo albums, (6 August 2001) and (17 October 2005) – both appeared in the top 40 on the.
Mac Powell's Southern-drenched vocals have been a cornerstone of Third Day, one of. “I was 12 years old before I realized that my dad didn't write [Lynyrd Skynyrd's]. Run Outta Love. 90 to Nothing. Sittin' here Talking With You. Come hear songs from the new Christmas album DECEMBER!
At the Mac won 'Best Dance Release' for and was nominated for 'Best Male Artist' and '. In June 2001 he issued his highest charting single, 'Just the Thing', which featured lead vocals by Peta Morris. It reached No. 17 on the ARIA Singles Chart and at the it won 'Most Performed Dance Work'.
Mac played with. He was also a touring member of as well as recording piano parts for their album, (March 2007), having worked with frontman as previously. He has provided remixes for Silverchair,. Mac has worked on soundtracks for and on the films. He was the musical director on the Australian TV show, and composed music for including The Afternoon Show, EC Plays Lift Off and TVTV. Contents.
Biography Mac was born on 17 September 1965. He is the youngest of seven children and grew up in a strict Catholic family in Sydney. As a teenager Mac played hymns on the organ at his local church, including for weddings and funerals.
He later described himself as 'the worst, ex-Catholic you've ever met'. He is a classically trained graduate from, as a Bachelor of Music Education. In the mid-1980s he was a member of Smash Mac Mac, which were an band covering material – Mac introduced drum machines and electronic elements. In 1987 they issued the album, Chapter One: Light on the Silo. In 1989 Mac formed the, group in Sydney with Yolanda Podolski on lead vocals, and (aka Warwick Factor) on vocals and bass guitar. The group signed with, which released their two extended plays, Ultra (1992) and Terminal (1993).
They moved to and issued their debut album, Labyrinth, in 1997. The group disbanded the following year.
1991-1997: Itch-E and Scratch-E In 1991, Mac formed a side-project, with fellow Sydney-based electronica artist, of the group, Pelican Daughters. Both provided keyboards and samplers. Itch-E and Scratch-E became their main focus with the success of their debut album, Itch-E Kitch-E Koo (1993), and its related single, 'Sweetness and Light' (1994). At the the single won Best Dance Release. During his acceptance speech Mac controversially declared, 'We'd like to thank all of Sydney's dealers, without whom this award would not be possible'. One of the sponsors of the ceremony was the National Drug Offensive, which withdrew their support. In 2005, Mac explained that he did not expect to win and so had not prepared a speech.
The group often includes Sherriff Lindo for live performances. From 1996 to 1998, Mac and Rantzen also performed as Boo Boo and Mace!, and with Lindo aboard they worked as Boo Boo Mace 'n' Nutcase. 1997-2000: work with Silverchair, Paul Mac Presents SnapShots and I Can't Believe It's Not Rock In 1997, Mac remixed the single, ', from Australian post-grunge band 's second album,. The track was issued in April as a B-side of their second single from that album, '.
In 1998, Mac released a four-track EP, Paul Mac Presents Snapshots, on Interdance Records. It featured guest vocals by Stephen Allkins on 'Ooh I Love Your (Disco)', on 'Loco', Phil Smart on 'Basic Boom' and on 'All Systems Are Go'. Mac again worked with Silverchair's as an alternative rock duo to release a five-track extended play, (2000). 2001-2005: 3000 Feet High, The Dissociatives and Panic Room On 6 August 2001, Mac issued his debut solo album, which peaked in the top 30 on the. Australian music journalist, felt the album was an 'emotional journey' where 'throughout, the dancefloor taunts us like a temptress, determined to lure us into her arms, but we're torn between her charms and the inner us which the dance beats may drown out'.
The lead single, 'Just the Thing' (June 2001), reached No. 17 on the ARIA Singles Chart and featured lead vocals by Peta Morris. In December 2001 he performed at on the Big Top stage. At the 'Just the Thing' won 'Most Performed Dance Work' and was nominated for 'Most Performed Australian Work'. In January 2002, and again in 2006, Mac appeared at. At the Mac won 'Best Dance Release' for and was nominated for 'Best Male Artist' and 'Engineer of the Year'.
Mac and Johns co-wrote the music for (2001) episode 13, 'Split'. In mid-2003, the Mac and Johns formed another alternative rock group, which issued their debut album of the in April 2004. Their first live show was in Hobart in June of that year. Mac explained his motivation, 'As music narrows out into increasingly smaller genres, it's important to bring the fun of making music back into play.
Not following any predetermined rules and making the most honest beautiful music we could is fun'. At the Mac and Johns were nominated for 'Producer of the Year' for the album. Mac's second album, appeared on 17 October 2005, and reached the top 40. Johns had advised Mac to 'follow your dreams regardless of what outside fashion is saying you should be doing'. Vocals are variously supplied by Morris, (ex-),.
Mac explained seeing Joseph, on TV in August 2004, 'I was watching the episode of when she got kicked out and I thought 'who is this girl, she is fantastic'. I tracked her down and gave her a call. It turned out great. I am just really happy with the whole album'. For Silverchair's 2007 album, Mac supplied piano and toured with the group providing keyboards and piano on stage.
2008-2014: soundtracks, remixes and touring In 2008, Mac provided the music for a one-man comedy play, Possessed, performed. In March that year, he supplied the theme song, 'The Only One' for the feature film, with three versions on the soundtrack: one had vocals by, another by Sydney Children's Choir and one was an instrumental.
He formed a production duo, Stereogamous, with Jonny Seymour (aka DJ Seymour Butz), in 2010 they worked on 's single, 'I Can Change', from their album,. They have also remixed 'Cupid Boy' for and 'Bring Night' for. In 2011 they worked on 's track, 'Every Other Lover in the World'. Mac co-wrote 'I Don't Care What You Say' with its performer and Cindy Ryan (of ); it was released in February 2012 by Callea on his seven-track EP, which was co-produced by Mac. On 6 September, the feature film, premiered with Mac's musical score.
2015-present: Holiday From Me On 22 January 2015, Mac announced the forthcoming release of his third studio album, titled Holiday From Me. It will feature, Dave Mason and Nathan Hudson on vocals. Personal life In October 2004, Mac was living in. Mac is openly gay, in 2007 he reminisced about his first attendance at Sydney's in the 1980s, 'I can't remember who the act even was – it was a long time ago. I wasn't really out – actually, I wasn't out at all. I just ended up at the party and I remember realising that there was this whole world out there that I felt really proud to be a part of. There was such a sense of wonder'.
Discography. Retrieved 5 May 2010. ^ Brandle, Lars (16 July 2010). The Music Network (Peer Group Media). Retrieved 14 September 2012. Mac, Paul. Retrieved 14 September 2012.
^ (20 August 2001). White Room Electronic Publishing Pty Ltd. Archived from on 27 July 2012. Retrieved 22 January 2014.
^ McGregor, Paul. Rovi Corporation. Retrieved 16 September 2012.
^ Zuel, Bernard (18 June 2004). The Sydney Morning Herald. Fairfax Media. Retrieved 16 September 2012. (22 November 2001).
Retrieved 16 September 2012. ^ McFarlane, entry. Archived from on 30 September 2004. Retrieved 14 September 2012. ^ Jenkins, Jeff; (2007). Molly Meldrum Presents 50 Years of Rock in Australia.: Wilkinson Publishing. Paul Mac Presents Snapshots (Media notes).
Interdance Records. ^ Hung, Steffen. Australian Charts Portal. Hung Medien (Steffen Hung). Retrieved 14 September 2012.
Australasian Performing Right Association (APRA). Retrieved 14 September 2012. Australasian Performing Right Association (APRA). Retrieved 14 September 2012. Australian Recording Industry Association (ARIA).
Mac Singer Song Writer Lite 3.0 For Mac Mac
Retrieved 16 September 2012. Zuk, Tim (24 April 2001). Australian Television. Australian Television Information Archive. Retrieved 16 September 2012.
(29 November 2000). Archived from on 29 January 2009. Retrieved 14 September 2012.
Australian Broadcasting Corporation (ABC). 2 April 2004. Archived from on 16 October 2011.
Retrieved 12 September 2012. Retrieved 15 September 2012.
^ Murfett, Andrew (14 November 2005). Retrieved 14 September 2012.
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Retrieved 14 September 2012. Archived from on 15 October 2011. Retrieved 16 September 2012. Roberts, Jo (20 February 2008).
Fairfax Media. Retrieved 15 September 2012. (PDF) (Press release). Tama Films Production. 20 March 2008. Archived from on 22 October 2009. Retrieved 16 September 2012.
^ (31 March 2011). Undercover (Paul Cashmere, Ros O'Gorman).
Retrieved 15 September 2012. The Music Network (Peer Group Media). 18 June 2010. Retrieved 15 September 2012. Cashmere, Paul (5 March 2012). Noise11 (Paul Cashmere, Ros O'Gorman). Retrieved 15 September 2012.
Lehman, Megan (6 September 2012). Lynne Segall. Retrieved 16 September 2012. 22 January 2015. Retrieved 22 January 2015. Sams, Christine (12 October 2004). The Sydney Morning Herald.
Fairfax Media. Retrieved 15 September 2012. Taylor, Christian (19 February 2007). Retrieved 15 September 2012. Australian Charts. Retrieved 24 October 2018.
Retrieved 24 October 2018. Retrieved 24 October 2018. External links.
Apple includes their entry-level GarageBand music editing app with every new Mac. That means, if you're new to music or a hobbyist, GarageBand is where it's at.
GarageBand uses the same Drummer digital session player as Logic Pro X (though to a lesser extent in terms of available sounds) and is the perfect app to help you start creating and mixing songs — especially if you're a super novice. The interface is easy to use and though the app is powerful and full of controls, it's not overwhelming or as involved as some of the more professional audio editors. You can upload your own recordings to GarageBand and mix them with the digital instruments, or you can create an entire song using just your recordings or just the instruments found in GarageBand.
If you're not satisfied with the instruments available, you can also purchase instrument packs to get different sounds. Use iCloud to store your projects or share them with friends for collaboration. You can even start a song on your iPhone and then finish it on your Mac! If you want to get into music production and also want to keep things convenient and within the Apple ecosystem, GarageBand is the best place to start. Free with new Macs or $4.99 - Logic Pro X. Logic Pro X is Apple's pro-level music editing software that still manages to be accessible to beginners.
The powerful app has all the tools you could want for mixing, editing, and songwriting, with a massive library of instruments and effects. If you're looking to make polished, professional-sounding recordings, without a ton of complexity, then Logic Pro X is where it's at.
The 64-bit architecture supports projects featuring hundreds of tracks and instruments, so if you're a composer, it's like heaven. I have to say: As a drummer, I hate canned drum sounds. Logic Pro X's Drummer is top-notch when it comes to producing authentic acoustic drums sounds, and sometimes I actually can't tell the difference (I know, shame on me). The app does come at a professional-level price, at $200, but if you're serious about music editing on the Mac and enjoy songwriting and composing on a grand level, it's easily one of, if not the best choice out there. $199.99 - Pro Tools. Pro Tools, by Avid, is one of the most popular music editing apps in the industry.
It can be used to record, mix, master, and much, much more. You can lay down up to 128 tracks per session, with 32 inputs and over 60 plugins, and you can create an unlimited number of sessions. Pro Tools is definitely not for the faint of heart and isn't necessarily an app you can just pick up and go with. I had to go to school to learn how to use it (before all these damn YouTube tutorials made school obsolete!). That being said, it isn't beyond the pale to learn the basics and get yourself up and running fairly quickly. Importing audio is as easy as dragging from the Finder window and placing it on the timeline (so long as your current session supports that file format).
From there, you can add a plethora of effects to your audio and edit it like mad, controlling volume, speed, pitch, tone, and much more. Honestly, the stuff you can do with Pro Tools seems just about endless. It is one of the most robust audio editing apps available, and is definitely for those looking to tackle things on a professional level. That being said, if you have the cash, go for it, and learn all there is to know! Pricing is what you'd expect: $24.92 per month with a 12-month agreement or $29.99 month-to-month, $599 to buy it outright. For the performance DJ (or even the hobbyist, really) djay Pro has all the effects, compatibility, and mixing capabilities you could ask for.
You can sample from iTunes and Spotify simultaneously, and you can even mix in video from the extensive video library for the ultimate experience. You can mix from four decks and create mashups and transitions galore, and you can edit playlists on the fly, use external displays and AirPlay, and there's Pioneer CDJ/XDJ integration for even more versatility. If you're a pro DJ or just want a fun way to mix at a house party, djay Pro's price might be its best selling feature, at only $40. $39.99 - Audacity.
Audacity is a free open source audio editing and recording software that lets you cut, copy, paste, and delete audio. It isn't exactly the most powerful when it comes to music editing, but if you're wanting to slap together some demo material or something like that, it's perfect. You can import audio in many formats, though for MP3, you'll have to install a separate, optional encoder library. You can edit and mix a large number of tracks at once and even alter individual sample points, though you can't add effects or do any sort of mastering. Audacity may be better-suited to podcasting, but, like I said, if you're putting together demos or just need to create rough ideas, it's perfect, because FREE.
Free - Are you a mixmaster? What's your favorite music editing app for Mac? Are you a pro or is it more of a hobby? Let us know in the comments below! This post may contain affiliate links. See our for more details.